تويت
Here are some Bedouin women's short poems I picked them from my library , and I added to each its Arabic text plus vocabularies meaning
ملاحظة نحوية ( syntax ) عن الموديفاير modifier لو كتبت تركيب الصفات أعلاه على سبيل المثال هكذا :
some short Bedouin women poems = غلط لأنه سوف تُفهم ( قصائد لنساء بدويات قصيرات )
فيجب وضع الموديفاير ( المعرف أو الواصف ) قريبا من الكلمة التي يصفها
closer to the word it describes
قصائد لشاعرات بدويات مع الترجمة الإنجليزية . اضفت شرحا للمفردات
Bedouin woman poetry
However, in the poems composed before the discovery of oil we notice a different tone in describing the separation since it is frequently accompanied by a dramatic scene of waiting. Furthermore the distinction lies in this scene of waiting which seems to be concealed or delayed in the poems about instrumental technology. It is, perhaps, more appropriate to examine a couple of poems composed before the discovery of oil so we can see the distinct articulation of absence and separation displayed in the scene of waiting. The speaker articulates the moment of waiting for the beloved in vivid imagery and the entire poem focuses on this moment of anticipation. Is the beloved going to arrive? Is he coming home from his travel? The speaker gazes in the distance, waiting until the end of the day. The poet describes woman’s waiting:
However, in the poems composed before the discovery of oil we notice a different tone in describing the separation since it is frequently accompanied by a dramatic scene of waiting. Furthermore the distinction lies in this scene of waiting which seems to be concealed or delayed in the poems about instrumental technology. It is, perhaps, more appropriate to examine a couple of poems composed before the discovery of oil so we can see the distinct articulation of absence and separation displayed in the scene of waiting. The speaker articulates the moment of waiting for the beloved in vivid imagery and the entire poem focuses on this moment of anticipation. Is the beloved going to arrive? Is he coming home from his travel? The speaker gazes in the distance, waiting until the end of the day. The poet describes woman’s waiting:
مرسا العطاوية تقول في الغزل ( انتظار الحبيب ) :
عَدَّيْت بالطَّابِل ، وظَلَّيت اخايل ولا جيت مَا بِلْ لِيْن فِي الْعَصِرْ مَالَ
الله عَلَى مَركبٌ سُبُوقَ السَّلايل حر يقطع راكبه خَافَقَ اللال
الْحَقِّ عَشِيرٍ حَطَّ فِي الغلايل والا باقي الحَيُّ مَا حَسُّوا الْبَالُ
هَرْجِهُ حليب بكار عِرْبٍ سَلَابِلْ يَرْعَن من ( سَفْوهُ لْيَا لَبَّة الخال)
تَرْعَى بِضَفِّ مَسَفْحِينَ الدِّبَايِلْ الَّذِي يُخَلُّونَ اشْقَرَ الدَّمْ وَشَال
عديت بالطايل : ارتقيت مكانا مرتفعا , اخايل = أراقب
ولا جيت مايل = لم أنزل من المكان المرتفع حتى وقت امتداد ظل وقت العصر
سبوق الشلايل = سريع الجري
خافق اللال : اللال هو السراب
I climbed the lofty place and stayed waiting;
When I descended, sunset bent down in me.
O I wish I were riding a fast camel,
Noble, which would carry its rider across the mirage’s heart
To follow a beloved who would capture me
While the rest of the tribe had no effect upon my mind.
=
The following short poem displays the “binoculars” and the “car”:
When I descended, sunset bent down in me.
O I wish I were riding a fast camel,
Noble, which would carry its rider across the mirage’s heart
To follow a beloved who would capture me
While the rest of the tribe had no effect upon my mind.
=
The following short poem displays the “binoculars” and the “car”:
وهذه شاعرة من الشاعرات تتغزل في محبوب لها بعد رحيله عن حيهم والقصيد من بحر الهجيني وتوجه الكلام الى اخيها :
سلامة قم هات لي ( دربيل ) يَوْمِ انْ شُوفِي تَرَادَينِه
من يوم قفوا هل ( التنبيل ) قلبي نَهَجْ مَيْرُ رَدَّيْتِه
سلامة = اسم أخيها
شوفي تراديته = شعرت أن بصرها تقاصر ولهذا تطلب الناظور ( الدربيل )
قفوا أهل التنبيل = أبعدوا أهل السيارة ( طرنبيل )
Salamah, rise and bring me the binoculars;
my eyesight has weakened
since the day
they left in the car.
My heart fled
but I brought it back.
==
The poem given below illustrates a similar tone of waiting, but proffers a different description. The poet says
my eyesight has weakened
since the day
they left in the car.
My heart fled
but I brought it back.
==
The poem given below illustrates a similar tone of waiting, but proffers a different description. The poet says
وهذه الشاعرة زوجة ( بخيت ابن معتاز العطاوي ) شقيق شليويح المشهور ، غاب عنها زوجها وطالت مدة غيابه فأنشدت هذه الأبيات تسلي بها نفسها ، وهي تترقب وصوله :
أحيهُ مِنْ بَرْدَ الشِّمَالَ الشَّفُوفِ لَهَا عَلَيَّ الصُّبْحُ والعَصِرُ مَرْسُومُ
مِنْ كَثِرْ مَا أَرْمِي لِلطَّرَاقِي بِشَوْفِ وَأَنَا أَتَحَرَّي مُرْذِيَ الفِطَّرِ الكُوْمُ
احيه : مثلا واحد يقول لفظ ( شح أو الشح ) من شدة البرد البدو يقولون ( أحيه )
الطراقي = المسافرين مفردها ( طركي ) تأتي أيضا بمعنى ينزل منزلا أو يسير بطريق مفردا لوحده
الفطر = جمع فاطر وهي المسنة من الأبل , الكوم = كثيرة الشحم
I shiver from the transparent north wind;
It marks me every morning and afternoon,
Because I always cast a glance at the travelers
While I wait for his exhausted, old, fatted camel.
It marks me every morning and afternoon,
Because I always cast a glance at the travelers
While I wait for his exhausted, old, fatted camel.